Abstract

This fine new study amalgamates catalogue-type entries for a number of illustrated manuscripts of the homilies of John Chrysostom with a cogently written thesis. Only certain manuscripts have been chosen for full analysis (to this extent the title of the book is somewhat misleading): this is a study devoted primarily to the Chrysostom manuscripts of the 11th and 12th centuries that have some anthropomorphic figural illustration (as opposed to purely vegetal or zoomorphic illustration), with a special emphasis on miniatures which are text-based, i. e. correspond in some precise way to the text they accompany. Earlier homily manuscripts (there are illustrated versions from the 10th century on), and manuscripts with full-page, non-text-based frontispiece illustrations such as the magnificent, oft-discussed imperial codex Paris, B. N. Coislin gr. 79, though included, are not the central concern of this book. Despite the fact that distinctions between anthropomorphic and non-anthropomorphic figural decoration, and between text-based and non-text based imagery are not likely ones that would have been drawn by the Byzantines themselves, the author's particular focus has the advantage of bringing into the scholarly arena a considerable number of unfamiliar works, here subjected to careful codicological, paleographical and stylistic analysis, and reproduced in superb color and black and white plates.