Abstract

This dissertation aims to analyse Deleuze’s philosophy (1925-1995) in order to highlight the political questions. In the first chapter I will show the steps by which Deleuze’s approach arrives to a method that can be defined as critique and clinique. This criterion will allow us to understand the reasons that bind Deleuze to develop Spinoza’s philosophy in a new way. At the same time the difficulties that arise from spinozism will lead us to underline the kind of logic that structures the method and the close link that it establish with aesthetic. The second chapter will be entirely dedicated to the particular relation between deleuzian spinozism and the work of Art. These conceptual tools will allow us in the third and last chapter, to shed light on the principal ethical problems posit by Deleuze’s political philosophy. These problems arise from the differential relation between the space of meaning expressed by the concept of nomos and the space of meaning expressed by the traditional notion of logos