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The Fake: Forgery and Its Place in Art
Philosophical Quarterly 50 (200):425-427 (2000)
Abstract
SOndor Radn-ti looks at forgeries, artistic reproductions, replicas, variations, and pastiches in order to study the dilemmas surrounding artistic illusion and 'poetic license.' He reveals how forgeries as the parasites of art make clear and transparent the meaning of artistic orginalityOther Versions
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Citations of this work
Six theoretical paradigms of Eastern European Marxist aesthetics.Fu Qilin - 2020 - Thesis Eleven 159 (1):35-56.
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