Abstract

Not only do we enjoy the company of fictional characters (such as Emma Bovary, Pinocchio, and the like) as we read a novel, watch a movie, or listen to a story ; but we also become emotionally involved with them and their adventures. This interaction with fiction constitutes the starting point of the ongoing philosophical debate on the ontological and metaphysical status of fictional objects, and challenges with various problems the theories of fiction currently found on the market. A survey of these problems is offered in this contribution.