Abstract

This paper investigates the logistics of crafting and accounting for animal realities on television. Using the case of The Making of David Attenborough’s Conquest of the Skies, a behind-the-scenes documentary about how the Sky TV series David Attenborough’s Conquest of the Skies was created, it explores how the material reality of animals becomes a televisual reality. In seeking to challenge the lingering concern within many media studies critiques of wildlife TV about the constructed and manipulated nature of televisual animals, we propose an approach focused on how realities are provoked. This approach draws on recent debates within STS and screen theory about the contingent elements and accountability relations that become practically operative in making something real. Equally significant is the animal performer. How do the animals, often domesticated, that are used in television to simulate wildness or scientific facts participate in and resist the television apparatus? And how do these animal performances shape distinct animal–human relations and contact zones?