Abstract

Axel Honneth’s philosophical reflections always had significant historical dimensions, but it is only recently, in Recognition. A Chapter in the History of European Ideas, that he has attended to the history of recognition as a concept. This essay examines the cogency and the implications of this turn to intellectual history in the theory of recognition. The first section summarises the main historical claims put forward by Honneth. Section two raises critical doubts regarding three aspects of his narrative: the cultural contexts that are said to have influenced particular conceptions of recognition; the conceptions of recognition that are supposed to be tied to national cultures; and the method of linking particular meanings of recognition to national cultures. The third section broadens the scope and attempts to show why this turn to intellectual history, despite some shortcomings, raises tantalising questions for recognition theory, and beyond it, for critical theory.