Abstract

This essay takes as its point of departure Charles Taylor's contention, in Sources of the Self that literature — and in particular the poetry associated with what he calls'Romantic expressivism' — enables an articulation of constitutive goods that can figureas a viable alternative for the theistic support of our moral commitments. While Taylordeserves credit for his honest attempt to take literature philosophically seriously, his cavalier treatment of the actual texts he invokes to underpin his argument tends to thwart his enterprise. By way of a preliminary, broadly deconstructive reading of a set of texts also used by Taylor , I argue that literary texts simultaneously invite and resist transcendentalising interpretations such as Taylor's. To the extent that literature allows for such interpretationsit is not an alternative for but a non-critical variation of theistic groundings; to the extent that it resists such framing it offers a singular intimation of a critical ethics that is strictly insupportable but not therefore irresponsible