Abstract

This article offers a critical phenomenological analysis of prevailing myths of menopause. By drawing on Simone de Beauvoir's conceptions of myths that essentialize existence, we have analyzed contemporary TV series in which menopause is portrayed. We identified the following myths of menopause: the myth of the liberated woman, the unnesting (s)mother, the old, ugly, and sexless witch, the mild, wise, and uncarnal woman. We first describe these myths and analyze how they may be interpreted as marginalizing in various and sometimes ambiguous ways. Then, we trace out two distinct ways in which some TV shows expose these myths as essentializing myths, which is important for allowing us to take a distance from them, and thereby to resist them. The first one is in line with what Beauvoir herself suggested as a fruitful dealing with myths: replacing mythical thinking with actual experiences. The second way is conceptualized on the basis of Irigaray’s thinking about mimicking myths. Such dealings with myths of menopause, we argue, may open the road to less marginalizing and more pluriform thinking about menopause.