Abstract

This article provides a close reading of Ovid's ecphrastic depiction of two Centaur lovers and their ideally mutual relationship, an episode that serves as a digression in the midst of Nestor's narration of the Battle of the Lapiths and Centaurs in Met. 12. Ovid uses allusions to two didactic poems, Lucretius' De Rerum Natura and Ovid's own Ars Amatoria III, as he explores in the Cyllarus-Hylonome interlude both hybridity itself and the relationships and possible combinations of a number of conceptual opposites: natura and cultus, human and animal, male and female, love and war, and the contrasting values of lyric-elegiac and epic poetry. A final section discusses how the issues explored within the digression reflect a concern with similar issues in the wider context of Book 12 and of the Metamorphoses as a whole.