Abstract

The recent re-evaluation of Schelling’s work has blossomed interest and research into a number of Schelling’s core ideas. Amongst these Schelling’s analysis of God, the creative act and human freedom have been amongst the most explored. Much less explored has been his theory of temporality, a theory which not only underpins but is essential to understanding properly these other insights. It is the goal of this essay to correct that oversight by offering some initial remarks concerning Schelling’s theory of temporality, a topic which is rarely explicitly addressed within his work. This it does by analysing closely the passages within his oeuvre wherein the topic is most explicitly treated and by addressing the ontological theory implied therein.