Abstract

Based on Rodolfo Sacco’s passionate research on cryptotypes and mute law, the essay aims to propose an onto-aesthetic understanding of latency in law. Inspired by a transdisciplinary way of thinking, the Author elevates comparative law to the privileged site where a critique of the unexpressed can be performed; the degree of figurality of the law can be uncovered and measured; an economy of surplus can be disclosed as the proper segnatorial trait of the material appearances of the law. In this direction, comparative law combines a phenomenology of latency with a hermeneutics of the implicit/implied and becomes the place where it is possible to uncover the communality among plural symbolic universes (literature, arts, music) against the tyranny of disciplinary strategy.