Abstract

This paper attempts to explore the position that A. N. Whitehead's ultimate principle of creativity may be identified explicitly as an eternal object. Such an interpretation seems to lend greater coherence to the categoreal scheme in Process and Reality and establish Whitehead's metaphysics as more of a rationalistic enterprise than most commentators are willing to admit. It would be rationalistic to the extent that its ultimate principle illustrates one of the categories of existence. That is, creativity may be viewed as an eternal object rather than a surd element which falls outside the categoreal scheme. As eternal object, creativity would serve as the very foundation of rationality in Whitehead's metaphysical system.