The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control

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Oxford University Press (2013)
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Abstract

How can an abstract sequence of sounds so intensely express emotional states? In the past ten years, research into the topic of music and emotion has flourished. This book explores the relationship between music and emotion, bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers

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9780199654888   0199654883

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Chapters

How music creates emotion: a multifactorial process approach.Klaus R. Scherer, Eduardo Coutinho, T. Cochrane, B. Fantini & K. R. Scherer
Music, action, and affect.Lincoln John Colling & William Forde Thompson
The ethos of modes during the Renaissancei.Claude Victor Palisca
The singer's paradox: on authenticity in emotional expression on the.Klaus R. Scherer, Lucy Schaufer, Bruno Taddia & Christoph Prégardien
Sad flowers: analyzing affective trajectory in Schubert's “Trockne Blumen”.  (pages 7)Michael Spitzer
The emotional power of musical performance.  (pages 41)Daniel Leech-Wilkinson
On the resistance of the instrument.  (pages 75-83)Tom Cochrane
Gender ambivalence and the expression of passions in the performances of early Roman cantatas by castrati and female singers.  (pages 85)Christine Jeanneret
" Mors stupebit": multiple levels of fear-arousing mechanisms in Verdi's Messa da Requiem.  (pages 147)Luca Zoppelli
Three theories of emotion—three routes for musical arousal.  (pages 155)Jenefer Robinson
Music-to-listener emotional contagion.  (pages 169)Stephen Davies
Empathy, enaction, and shared musical experience.  (pages 177-196)Joel Krueger
Empathy, enaction, and shared musical experience: evidence from infant cognition.  (pages 177)Joel Krueger
Rhythmic entrainment as a mechanism for emotion induction by music: a neurophysiological perspective.  (pages 213)Wiebke Trost & Patrik Vuilleumier
Striking a chord in the brain: neurophysiological correlates of.  (pages 227)Stefan Koelsch
Forms of thought between music and science.  (pages 257)Bernardino Fantini
Control and the science of affect: music and power in the medieval.  (pages 271)Laurence Wuidar
The psychotropic power of music during the Renaissance.  (pages 287)Brenno Boccadoro
Music as a means of social control: some examples of practice and theory in early modern Europe.  (pages 307)Penelope Gouk
Therapy in the 18th century.  (pages 315)Jackie Pigeaud
On nostalgia.  (pages 329)Jean Starobinski
Emotions, identity, and copyright control: the constitutive role of affect attunement and its implications for the ontology of music.  (pages 341)Ulrik Volgsten
Appendix to" Gender ambivalence and the expression of passions.  (pages 359)Christine Jeanneret

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Cochrane, Tom, Bernardino Fantini, and Klaus R. Scherer, eds. The emotional power of music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford university press, 2013, X + 381 pp., 22 b&w illustrations, $99.00 cloth. [REVIEW]Vladimir J. Konečni - 2015 - Journal of Aesthetics and Art Criticism 73 (2):214-218.
Tom Cochrane, Bernardino Fantini, and Klaus R. Scherer, eds. The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control.Ireneusz Ziemiński - 2014 - Forum Philosophicum: International Journal for Philosophy 19 (1):145-153.
How music creates emotion: a multifactorial process approach.Klaus R. Scherer, Eduardo Coutinho, T. Cochrane, B. Fantini & K. R. Scherer - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press.
Three theories of emotion—three routes for musical arousal.Jenefer Robinson - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 155.
Rhythmic entrainment as a mechanism for emotion induction by music: a neurophysiological perspective.Wiebke Trost & Patrik Vuilleumier - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 213.
Music-to-listener emotional contagion.Stephen Davies - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 169.
Music, action, and affect.Lincoln John Colling & William Forde Thompson - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press.
On nostalgia.Jean Starobinski - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 329.
Forms of thought between music and science.Bernardino Fantini - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 257.
The emotional power of musical performance.Daniel Leech-Wilkinson - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 41.

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Tom Cochrane
Flinders University

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Music and biology at the Naples Zoological Station.Bernardino Fantini - 2015 - History and Philosophy of the Life Sciences 36 (3):346-356.

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