Three varieties of visual field

Philosophical Psychology 9 (4):477-95 (1996)
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Abstract

The goal of this paper is to challenge the rather insouciant attitude that many investigators seem to adopt when they go about describing the items and events in their " visual fields". There are at least three distinct categories of interpretation of what these reports might mean, and only under one of those categories do those reports have anything resembling an observational character. The others demand substantive revisions in one's beliefs about what one sees. The ur-concept of a " visual field" is that of the "sum of things seen", but one can interpret the latter in very different ways. The first is the "field of view", or the sum of physical things seen. The second is an array of visual impressions, whose spatial relations are distinct from those of physical phenomena in front of the eyes. The third is an intentional object: the world as it is represented visually. These three categories are described, and various locutions of vision science--such as "optic array", "retinocentric space", " visual geometry", "virtual object" and others--are analyzed and variously located within them. Finally, a recent argument purporting to necessitate the existence of a version two visual field is examined and shown wanting

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Citations of this work

Intentionalism defended.Alex Byrne - 2001 - Philosophical Review 110 (2):199-240.
Seeing empty space.Louise Richardson - 2009 - European Journal of Philosophy 18 (2):227-243.
False reflections.Maarten Steenhagen - 2017 - Philosophical Studies 174 (5):1227-1242.

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References found in this work

The Ecological Approach to Visual Perception.Marc H. Bornstein - 1980 - Journal of Aesthetics and Art Criticism 39 (2):203-206.
Science, Perception and Reality.Wilfrid Sellars - 1963 - London: Routledge & Kegan Paul.
Languages of Art.Nelson Goodman - 1968 - Indianapolis,: Hackett Publishing Company.
Consciousness.William G. Lycan - 1987 - MIT Press.

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