Abstract

The research considers the positioning of the journalist Sandu Tudor in the very diverse and polemical background of the interwar Romanian press, assuming a comparative position of the future editor-in-chief of the magazines "Floarea de foc" and "Credința" in the Romanian cultural environment of the third decade of the twentieth century. The requirement of synchronous and diachronic comparatist study aims to analyze the activity of the journalist in the Romanian interwar publications but also his involvement together with the main representatives of the young spiritualist generation in the literary, cultural, national, political polemics of the time. Going through the articles signed by Sandu Tudor in " Gândirea ", the magazine that constitutes the subject of this study, one can see the inextricable mixture between culture, religion, and politics, the guiding line being that the church must be present in society, just as the dispute of values, hierarchies and meanings must be subsumed to the spiritual.