Abstract

Edward Yang is one of the most renowned Taiwanese directors, whose works raise criticisms of modernity. Since the New Culture Movement in the 1910s and 1920s, Chinese literati have queried the place of traditional Chinese culture, especially Confucianism, on the road to modernization. This paper gives an account of Yang’s understanding of modernization and the Confucian tradition as illustrated in his work, A Confucian Confusion. We argue that, though he despised politically endorsed Confucianism as ideology, without sufficient justification Yang nonetheless reserves the possibility of taking Confucianism as a supplement to modernity.