Resonances against fascism: modernist and avant-garde sounds from Kurt Weill to Black Lives Matter

(ed.)
Albany: State University of New York Press (2024)
  Copy   BIBTEX

Abstract

Makes a case for the power of music and sound in the face of fascistic forces, from modernism to the present.

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,505

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Seeing sound, hearing colour : the synaesthetic experience in Russian avant-garde art.Isabel Wünsche - 2011 - In Charlotte De Mille (ed.), Music and modernism, c. 1849-1950. Newcastle upon Tyne, UK: Cambridge Scholars Press.

Analytics

Added to PP
2023-12-23

Downloads
11 (#1,421,067)

6 months
2 (#1,687,048)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references