Abstract

It will never be too much to remember that experience is one of the most important concepts on Benjamin’s thought. It underlies his analysis of the history and also supports his critical theory of literature and has many branches, above all in his texts after 1930. His text “The Image of Proust” develops the concept of involuntary memory, which explains the question of auratic image in the work of Proust, obtained by the process of rememoration and also explained by the contribution of Freud’s studies about the traumatic shock and its consequences on the perception’s conditions of the contemporary man. These conceptions led Benjamin to a deep thought about the way how shock and rememoration can be articulated in order to create a new historical vision, individual and collective. We examine here, in the fields of the arts, literature and history, how this articulation can defines a new conception of experience and the possibility, or not, of the transmission of the culture, in a world where, as Kafka said, “the tradition became sick”. The question is: will rememoration, this Penelope’s web, be able to operate the rescue of the historical tradition? And which tradition are we speaking here about? What does rememoration mean?