Abstract

Hegel’s treatment of Sophocles’s Antigone exposes a tension in our own landscape between religious and civil autonomy. This tension reflects a deeper tension between unreflective, implicit norms and reflective, explicit norms that can be autonomously endorsed. The tension is, as Hegel recognizes, of particular importance to women. Hegel’s characterization of this tension in light of Antigone is, as H.S. Harris argues, both a more developed and a more fundamental moment in the Phenomenology of Spirit than the moment of Enlightenment autonomy (with its powers of reflective self-critique). Indeed, George Steiner has remarked that, for the German idealists, Antigone exemplifies the very “pivot of consciousness,” so fundamental is the tension that it expresses. I argue that, while Hegel demonstrates the necessity of the modern transition to explicit norms that can be autonomously endorsed, explicit norms nevertheless depend on a background of unreflective norms for their force. Moreover, Hegel uses the conflict between Antigone and Creon to illustrate the tension and mutual dependence between these two types of norms.