Abstract

Stephen Crane’s short story “The Open Boat”—a tale “intended to be after the fact”—affirms Merleau-Ponty’s conclusion that “The perceived world is the always presupposed foundation of all rationality, all value and all existence.” The story dramatizes and reflects on the men’s situation in the world, their inter-subjective experience against the background of non-human nature. In facing the imminent possibility of their own deaths as, for each of them, “the final phenomenon of nature,” the men become “interpreters” of what is primary in the human condition. The line between the world of the reader and the world of the story, like the line between consciousness and being, is less a line than a horizon.