Abstract

The Anglophone philosophical world is currently riding a swelling wave of enthusiasm for a big, dense, blockbuster of a book by the previously unknown Jena philosopher, George Hegel. His Phenomenology of Spirit, originally in German, now available also in English, picks up and weaves together in a surprising and wholly original way a large number of today’s most fashionable ideas. Although he never comes right out and says so, I take it that the main topic the book addresses is the notion of conceptual content. I say “main” topic—and even that with trepidation—because along the way, Hegel discusses practically everything: history, politics, art, literature, religion, psychology, sociology, natural science, and on and on. One of the masterful features of this magnum opus is the convincing way in which the arguments and considerations he brings to bear, in the course of articulating criteria of adequacy for an adequate semantics (which he thinks is inseparable from an adequate pragmatics), reverberate and ramify throughout our understanding of human culture generally.