Abstract

This paper considers the significance of informal publication and circulation in the work of the philosopher Saul Kripke (1940-2022). It argues that everyday copying technologies (e.g. tape recording, photocopying) enabled academics in the 1970s and 1980s to create living documents whose private preservation and circulation maintained a community of interest and makes a case for understanding these technologies and techniques of reproduction as essential to the composition of Kripke’s ground-breaking published work. Kripke lectured a great deal, usually without notes, and was known to be reluctant to commit his ideas to print; this so-called ‘samizdat’ preserved a space for the oral as the preferred mode of communication for philosophical discourse, connecting the modern tradition with the ancients, while the recordings, transcripts and photocopies archived Kripke’s ideas and secured access outside of institutional publishing channels.