Critique of rationality

New York: Peter Lang (2022)
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Abstract

This book draws the limits of our thoughts and consciousness between the mind and mind-independent reality by using mathematical logic with the support of neurology. The author combines the Analytical and Continental traditions with each other's virtues. If Kant were alive today, he would have had to write such a book. Diagnosing the limits between immanence and transcendence of the consciousness depends on defining some transcendental a priori categories in between as some basic axioms of the mind. Although this is a paradoxical attempt every philosopher falls into, the author non-paradoxically identifies these non-intentional cognitive categories by using mathematical category theory. This basic model of the mind allows us to follow the logical possibilities in between that the mind can set up in its relationship with mind-independence. In this way, the author defines the intentional categories of consciousness by using mathematical set theory and obtains a self-representational higher-order theory of consciousness (SHOT). Finally, he combines the intentional and non-intentional categories with an algebraic topography and obtains a model of the mind. The architectural structure of the mind is the problematic skeleton of philosophy with all its sub-branches as a human aura that can be traced throughout the six Cartesian meditations. The philosophical anthropology depicted eventually emerged as a purely naturalistic, shamanic prototype metaphysics radically different from the monotheistic Western tradition that began with Plato. The reasoning had started from mathematics, but unexpectedly arrived at an archaic metaphysics. This philosophical theory is called "Anthropogonia", after Hesiod's Theogonia. After Anthropogonia, logically, truth-seekers in these ancient, imperial religions must retreat from their historically constructed Platonic realist theology to their shamanic roots. The naturalist architecture of the mind requires such a naturalized doctrine and art.

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