Abstract

In this essay, I defend the legacy of Marcuse’s One-Dimensional Man and the relation it sketches between art, politics, and human instincts against detractors who see the work as defeatist. Through an examination of Marcuse’s use of ideas drawn from biology and aesthetics, I outline a creative politics that illustrates the manner in which new forms of human life might be created from the “bottom up,” through political struggle and artistic practice. I further compare these ideas to those of Jacques Rancière, Autonomist Marxism, and epigenetics in order to better understand the prescience of Marcuse’s thought and its continued relevance.