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The Responsibility of Forms: Critical Essays on Music, Art, and Representation
University of California Press (1991)
Abstract
These late essays of Roland Barthes's are concerned with the visible and the audible, and here the preoccupations are particularly intense and rewarding, in part because Barthes was himself, by predilection, an artist and a musician, and in part because he was of two minds about the very possibility of attaching to art and to music a written text, a criticism.Author's Profile
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Barthes, R. (1977). Image, music, text. (S. Heath, Ed.)The Journal of Aesthetics and Art Criticism (Vol. 37, p. 220). Hill and Wang. doi:10.2307/429854Image, music, text. [REVIEW]Roland Barthes - 1977 - Journal of Aesthetics and Art Criticism 37 (2):235-236.
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Citations of this work
Depicting and seeing-in. The ‘Sujet’ in Husserl’s phenomenology of images.Patrick Eldridge - 2018 - Phenomenology and the Cognitive Sciences 17 (3):555-578.
Panels and faces: segmented metaphors and reconstituted time in Art Spiegelman's Maus.Liam Kruger - 2015 - Critical Arts: South-North Cultural and Media Studies 29 (3):357-366.
Depiction and plastic perception. A critique of Husserl’s theory of picture consciousness.Christian Lotz - 2007 - Continental Philosophy Review 40 (2):171-185.
Music and Erotic Agency - Sonic Resources and Social-Sexual Action.Tia Denora - 1997 - Body and Society 3 (2):43-65.
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