Abstract

Following on the explorations of culture and politics in his previous collection The Good European, the writings in Zest delve into less obvious but important aspects of social life-- into manual work and 'dolce far niente', into ancient vernacular craft traditions and the data stockpiles of modernity. Early in the book we visit the Garden of Eden with Hieronymus Bosch, where we share with him the first fruit. It takes us by way of writers, artists, philosophers, travellers, photographers, musicians and flavours into the world of Zest-- how we can find it and what its discovery does to us. Bamforth's sensuous, richly nuanced essays affect us as stories do, each one creating a world in which its arguments live and breathe, laugh and explore. His diverse interests, from Bible studies to communication theory, from photography to the impact of globalisation, and his shifts from botanising in the Garden of Eden to 'botanising on the asphalt' (Walter Benjamin) always keep in sight the philosophical issue that provides Zest's subtitle-- 'the art of living'.