Abstract

John Ford’s The Broken Heart has been interpreted as a play in which “mannered artifice” is able to impose beauty onto the chaos and misery of human affairs.1 For Sharon Hamilton, each character in the play “makes his blighted life more bearable by envisioning it as a work of art”: the “spiritual starvation” of the characters is consequently set against the fact that they are “beautifully stylized.”2 Apollo, god of beautiful form and appearance, and the patron of the Sparta in which the play is set, is thus seen to triumph over the tragedies it charts, offering a means of redemption.3 In this essay, I argue, instead, that the play depicts beauty as a metaphysical ideal, identical with truth and...