Abstract
SummaryThis article addresses the appeal of saints and sainthood in the years 1945 to 1960. Part 1 cites the 1957 diary of Susan Sontag, who focused on the cultural power of the Roman Catholic Church and drew attention to three European women: Teresa of Avila, Edith Stein, and Frances Cabrini. Reasons that these three (all Catholic saints) would have been in Susan Sontag's mind in 1957 are explored. In Part 2, wider attention is applied to the year 1957. Writers who were dealing with sainthood (Camus, Kazantzakis, Genet, Kerouac, O'Connor, Werfel, etc.) are discussed, as well as non-Catholics acclaimed as ‘saints’ (Simone Weil, Dietrich Bonhoeffer) and persons admired as ‘living saints’ (Albert Schweitzer, Padre Pio). Part 3 considers the influence of some major canonisations in the inter-war era (e.g., Joan of Arc, Thomas More) and the widespread access to Vatican spectacle afforded by photojournalism and newsreel. Four routes of analysis are pursued: the veneration of saints as a response to wartime suffering and loss; the vigour of the vocabulary of sainthood, uncontaminated by Nazi or Stalinist abuse; the special appeal of the ‘outsider’ saint; and the political interests of the Vatican and Christian Democratic parties.