Abstract

Fiction and myth have been used for centuries in writing history as well as in making it. And this is not surprising; for Clio was not only the muse of history but also that of epic poetry. This personal union of the two functions shows that the Greeks may have felt what we know today, thanks to the additional experience of twenty-five hundred years: that in historiography as well as in its subject matter, history as reality, it is not always possible to draw a neat line of demarcation between historical truth and poetical fiction. History as res scriptae is, and has to be, a product of documentation and imagination. If this imagination is subjected to logical methodology, it will result in “scientific” history, in which the word “science” has to be interpreted in that liberal sense proposed by Collingwood, as “any organized body of knowledge.” If, on the contrary, the imaginative component of historiography is abandoned to poetical fancy, it will result in mythological history. Finally, if the imagination of the historian is guided by the conscious, half-conscious or sub-conscious wish to influence and manipulate the readers’ minds, the result will be ideological history.