Music and sciences

(ed.)
Bochum: N. Brockmeyer (1997)
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ML3800.M873 1997

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3819604979

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Analyse Des analyses: Existe-t-il Des relations entre Les diverses methoDes d'analyse? Le theme de la symphonie en Sol mineur, K. 550, de mozart: La comparaison Des analyses du point de vue sémiologique.  (pages 17--7)Jean-Jacques Nattiez
Equilibre de complexite'et hierarchie de precision: Deux principes d'economie dans la notation Des langues et de la musique.  (pages 17--235)Roland Posner
Micro-timing in the performance of music.  (pages 17--78)Kari Kurkela
Music, architecture and the figurative arts.  (pages 17--329)Corrado Bianchi
Musique et science.  (pages 17--71)I. Stoianova
Textuality in Language and Music.  (pages 17--246)Maria Langleben
Wittgensteins bemerkungen zur musik.  (pages 17--303)Richard Schrodt
Gian Franco arlandi contenu 1. terme complexe. 2. perspective esthetique du romantisme. 3. perspective semiotique de la neuropsychologie. H. pers. Pective complexe en semiotique de la creativite'musicale. [REVIEW]  (pages 117)Esthetique Romantique Et Semiotique Neuropsychologique
Musique et science. Semiotique de l* intercommunication creative: Musique et peinture, mathematique et cosmologie en synthese." Perpetuum mobile.  (pages 331)Gian Franco Arlandi

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Gian Franco arlandi contenu 1. terme complexe. 2. perspective esthetique du romantisme. 3. perspective semiotique de la neuropsychologie. H. pers. Pective complexe en semiotique de la creativite'musicale. [REVIEW]Esthetique Romantique Et Semiotique Neuropsychologique - 1997 - In Gian Franco Arlandi (ed.), Music and sciences. Bochum: N. Brockmeyer. pp. 117.
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Micro-timing in the performance of music.Kari Kurkela - 1997 - In Gian Franco Arlandi (ed.), Music and sciences. Bochum: N. Brockmeyer. pp. 17--78.
Wittgensteins bemerkungen zur musik.Richard Schrodt - 1997 - In Gian Franco Arlandi (ed.), Music and sciences. Bochum: N. Brockmeyer. pp. 17--303.
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