Abstract

1.—In the early decades of the Eighteenth Century a French Jesuit, one Fr. Jean Hardouin, was engaged in propounding a startling theory concerning the credentials of ancient literature. He declared that nearly all the reputed writings of antiquity, secular and sacred alike, were in fact composed by a monkish group of literary forgers in the Thirteenth and Fourteenth Centuries. The only works he admitted as authentic were the Latin Scriptures, Homer, Herodotus, and a few others of minor import. In defence of this thesis he argued that it was admitted on every hand that some of the reputed writings of antiquity were not authentic. He was but carrying out a more rigorous examination than had ever before been made. The result of this severely critical scrutiny was to strip away most of the picture we had commonly but erroneously accepted of the antique world and to leave behind what was, by comparison, but a skeleton. This skeleton, alone, could be taken as real; our former beliefs were but a systematic imposture. We had, all unknowing, built up an enchanted vision of the ancient world; at a wave of the critic’s hand the enchantment is banished.