Abstract

This paper examines Kazuo Ishiguro's Klara and The Sun through the lens of posthumanism. It uses the textual analysis method to analyze Ishiguro's text as a posthuman novel that depicts the posthuman society where the boundaries between what is human and the nonhuman is blurred. The basic argument is that the aim of Ishiguro's text is two-fold, while it clearly illustrates the inability of the humanoid robot to attain human consciousness, it attempts also to dismantle the anthropocentric view of man. The findings show that Klara, the narrator-protagonist is used as a tool to raise certain questions such as, can humanoids act humanly? And/or can a 'humanoid machine' attain consciousness? More importantly, what it means to be human, in the first place. In doing so, the story attempts to showcase the ruptured boundaries between human and nonhuman and the changing ideas of humankind and its entanglement with the nonhuman world. Further, the interaction between Klara (AF) and other characters in the story is developed in such a way as to illustrate not only the shortcomings of humans regarding faith and affection but, more importantly, the limits of the nonhuman machine. It dismisses the current debate among technology experts that artificial intelligence would soon be able to develop a human-like robot that enjoys similar human emotional signals and reacts exactly like humans. The story simply puts it, despite the defects of humans, nothing can replace humans as those artificial friends (AI) fundamentally lack the kinds of experience that give rise to human-like affect and emotion.